0
Alan Rawsthorne
Alan Rawsthorne
British composer
1
John Harbison
John Harbison
American composer
2
Jiří Gemrot
Jiří Gemrot
Czech composer, radio executive, and record producer
3
Sean Hickey
Sean Hickey
American composer
4
David Horne
David Horne
Scottish composer, pianist and teacher
5
Bernard Rands
Bernard Rands
British composer
6
Otomar Kvěch
Otomar Kvěch
Czech music educator, composer and university educator
7
Ben Weber
Ben Weber
composer
8
Terence Weil
Terence Weil
British classical cellist
9
Paul Creston
Paul Creston
American composer
10
Stefans Grové
Stefans Grové
South African composer
11
William Alwyn
William Alwyn
English composer, conductor, and music teacher
12
Ernst Toch
Ernst Toch
Austrian composer
13
Alun Hoddinott
Alun Hoddinott
Welsh composer
14
Dmitri Smirnov
Dmitri Smirnov
Russian composer
15
Sergiu Natra
Sergiu Natra
Romanian composer
16
Marcel Mihalovici
Marcel Mihalovici
French composer
17
Mark-Anthony Turnage
Mark-Anthony Turnage
English composer
18
Lillian Fuchs
Lillian Fuchs
American musician
19
Grażyna Bacewicz
Grażyna Bacewicz
Polish composer, violinist
Alan Shulman
American composer and cellist

Alan Shulman

Intro
American composer and cellist

Alan Shulman (4 June 1915 – 10 July 2002) was an American composer and cellist. He wrote a considerable amount of symphonic music, chamber music, and jazz music. Trumpeter Eddie Bailey said, "Alan had the greatest ear of any musician I ever came across. He had better than perfect pitch. I've simply never met anyone like him." Some of his more well known works include his 1940 Neo-Classical Theme and Variations for Viola and Piano and his A Laurentian Overture, which was premiered by the New York Philharmonic in 1952 under the baton of Guido Cantelli. Also of note is his 1948 Concerto for Cello and Orchestra which was also premiered by the New York Philharmonic with cellist Leonard Rose and conductor Dmitri Mitropoulos. Many of Shulman's works have been recorded, and the violinist Jascha Heifetz and jazz clarinetist Artie Shaw have been particular exponents of his work both in performance and on recordings.