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Taverner Consort and Players
Taverner Consort and Players
British early music ensemble
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The English Concert
The English Concert
chamber orchestra
2
Roger Norrington
Roger Norrington
British conductor
3
John Eliot Gardiner
John Eliot Gardiner
English conductor
4
Helmuth Rilling
Helmuth Rilling
German choral conductor
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Frieder Bernius
Frieder Bernius
Music conductor
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Joshua Rifkin
Joshua Rifkin
American conductor, keyboard player, and musicologist
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Richard Hickox
Richard Hickox
English conductor
8
Caroline Trevor
Caroline Trevor
English contralto
9
Christoph Siebert
Christoph Siebert
10
David Willcocks
David Willcocks
British choral conductor, organist and composer
11
Trevor Pinnock
Trevor Pinnock
English harpsichordist and conductor
12
Roderick Williams
Roderick Williams
English operatic baritone
13
Nikolaus Harnoncourt
Nikolaus Harnoncourt
Austrian conductor
14
Rolf Liebermann
Rolf Liebermann
Swiss composer
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Bernard Rands
Bernard Rands
British composer
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Leeds Festival Chorus
Leeds Festival Chorus
17
Václav Luks
Václav Luks
Czech cemballist and music educator
18
Charles Mackerras
Charles Mackerras
Australian conductor
19
Torsten Rasch
Torsten Rasch
German composer
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Sakari Oramo
Sakari Oramo
Finnish conductor
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Vladimir Jurowski
Vladimir Jurowski
Russian conductor
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Max Ciolek
Max Ciolek
German tenor and conductor
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Gunther Schuller
Gunther Schuller
American composer, conductor, horn player, author, historian, and jazz musician
Andrew Parrott
British conductor

Andrew Parrott

Intro
British conductor
Music
Andrew Parrott, 2008

Andrew Parrott (born 10 March 1947) is a British conductor, perhaps best known for his pioneering "historically informed performances" of pre-classical music. He conducts a wide range of repertoire, including contemporary music. He conducted the premiere of Judith Weir's A Night at the Chinese Opera (as well as its first recording). He has also recorded new music by other modern British composers (including John Tavener), and by Vladimír Godár.

In 1973 he founded the Taverner Choir, Consort and Players, a "period instruments" ensemble based in London. Towards the end of 1973 he began conducting the early music group Musica Reservata, also based in London, after John Beckett left. He was music director of the London Mozart Players for several years until September 2006. From 2001 to 2010 Parrott was music director of the New York Collegium in New York City, New York.

Parrott has published several articles on Bach, Monteverdi and Purcell, is co-editor of the New Oxford Book of Carols and author of The Essential Bach Choir, which was informed by his work with Joshua Rifkin on one-voice-per-part performance of Bach's vocal works. This approach significantly reduces the forces employed in a performance of Bach's choral work, as it essentially removes the choir.

He is a Patron of Bampton Classical Opera.