0
Maria Caniglia
Maria Caniglia
singer
1
Fiorenza Cossotto
Fiorenza Cossotto
Italian mezzo-soprano singer
2
Renata Tebaldi
Renata Tebaldi
Italian opera singer
3
Maria Carbone
Maria Carbone
Italian singer
4
Franco Corelli
Franco Corelli
Italian operatic tenor
5
Montserrat Caballé
Montserrat Caballé
Spanish operatic soprano
6
Tullio Serafin
Tullio Serafin
Italian conductor
7
Franco Alfano
Franco Alfano
Italian composer and pianist
8
Mirella Freni
Mirella Freni
Italian soprano
9
Cecilia Bartoli
Cecilia Bartoli
Italian singer
10
Leo Nucci
Leo Nucci
opera singer
11
Rosa Raisa
Rosa Raisa
Operatic soprano (1893-1963)
12
Anna Netrebko
Anna Netrebko
Russian-born Austrian operatic soprano
13
Virginia Zeani
Virginia Zeani
Romanian soprano
14
Carla Fracci
Carla Fracci
Italian ballet dancer and actress
15
Maria Callas
Maria Callas
American-born Greek operatic soprano
16
Joan Sutherland
Joan Sutherland
Australian soprano
17
Nelly Miricioiu
Nelly Miricioiu
British opera soprano
Intro
singer
Music
Carla Gavazzi

Carla Gavazzi (February 26, 1913 in Bergamo – May 25, 2008 in Milan) was an Italian operatic soprano, largely based in Italy, and particularly associated with the verismo repertory.

Carla Gavazzi was one of many talented Italian sopranos from the 1950s, who were eclipsed by the likes of Renata Tebaldi and Maria Callas. She possessed a powerful, warm and vibrant voice combined with expressive delivery and fine musicianship.

She made her debut as Mimi in La bohème, in 1940, and sang throughout Italy in the standard lirico-spinto repertory, encompassing works by Mozart, Puccini and Verdi.

She was also admired in contemporary works such as; Hindemith's Mathis der Maler, Malipiero's La favola del figlio cambiato, Respighi's La campana sommersa, Refice's Margherita da Cortona, Alfano's Cyrano de Bergerac and Risurrezione. Alfano also chose her for the premiere of his song cycle to poetry by Tagone.

Gavazzi appeared in an Italian television production of Cavalleria rusticana in 1957 and in Jan Schmidt-Garre's film Opera Fanatic in 1998, and made a number of recordings with Cetra in the early 1950s such as Donna Elvira in Don Giovanni, Nedda in Pagliacci, Adriana in Adriana Lecouvreur, and Minnie in La fanciulla del west.

In 1959, family-related reasons caused her to retire from the stage.