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Giuseppe Sammartini
Giuseppe Sammartini
Italian composer and oboist
1
Luigi Boccherini
Luigi Boccherini
Italian composer and cellist
2
Andrea Zani
Andrea Zani
Italian violinist and composer
3
Giovanni Battista Pergolesi
Giovanni Battista Pergolesi
Italian composer
4
John McCabe
John McCabe
English composer and pianist
5
Carl Stamitz
Carl Stamitz
German composer of partial Czech ancestry
6
Carl Philipp Emanuel Bach
Carl Philipp Emanuel Bach
German harpsichordist and composer
7
Josef Mysliveček
Josef Mysliveček
Czech composer
8
Leopold Koželuch
Leopold Koželuch
Czech music educator, composer and pianist
9
Gaspar Cassadó
Gaspar Cassadó
Spanish cellist and composer
10
Joseph Haydn
Joseph Haydn
Austrian composer
11
Johann Georg Albrechtsberger
Johann Georg Albrechtsberger
Austrian music educator, composer and organist
12
Isaac Stern
Isaac Stern
American musician
13
Cipriani Potter
Cipriani Potter
English composer
14
Gian Francesco Malipiero
Gian Francesco Malipiero
italian composer of the 20th century
15
Erwin Schulhoff
Erwin Schulhoff
Czech composer and pianist
16
Shunsuke Sato
Shunsuke Sato
Japanese musician
Giovanni Battista Sammartini
Italian composer

Giovanni Battista Sammartini

Intro
Italian composer
Music
The only surviving portrait of Sammartini, painted by Domenico Riccardi.

Giovanni Battista Sammartini (c. 1700 – 15 January 1775) was an Italian composer, violinist, organist, choirmaster and teacher. He counted Gluck among his students, and was highly regarded by younger composers including Johann Christian Bach. It has also been noted that many stylizations in Joseph Haydn's compositions are similar to those of Sammartini, although Haydn denied any such influence. Sammartini is especially associated with the formation of the concert symphony through both the shift from a brief opera-overture style and the introduction of a new seriousness and use of thematic development that prefigure Haydn and Mozart. Some of his works are described as galant, a style associated with Enlightenment ideals, while "the prevailing impression left by Sammartini's work... [is that] he contributed greatly to the development of a Classical style that achieved its moment of greatest clarity precisely when his long, active life was approaching its end".

He is sometimes confused with his elder brother, Giuseppe, a composer with a similarly prolific output though not equal renown or influence who ended up in the service of Frederick, Prince of Wales.