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Johannes Ockeghem
Johannes Ockeghem
Franco-Flemish composer
1
Josquin des Prez
Josquin des Prez
Franco-Flemish composer of the Renaissance
2
Pierre de la Rue
Pierre de la Rue
Franco-Flemish Renaissance singer, composer
3
Nicolas Gombert
Nicolas Gombert
Franco-Flemish composer
4
Pierre Moulu
Pierre Moulu
French composer
5
Cristóbal de Morales
Cristóbal de Morales
Spanish composer
6
Giovanni da Palestrina
Giovanni da Palestrina
Italian Renaissance composer
7
Orlande de Lassus
Orlande de Lassus
Franco-Flemish composer
8
Bartłomiej Pękiel
Bartłomiej Pękiel
Polish composer
9
Jacques Arcadelt
Jacques Arcadelt
Netherlandish composer of the Renaissance
10
Guillaume Faugues
Guillaume Faugues
French composer
11
A Sei Voci
A Sei Voci
12
Pedro de Escobar
Pedro de Escobar
Portuguese composer
13
Guillaume de Machaut
Guillaume de Machaut
French poet and composer
14
Walter Frye
Walter Frye
British composer
Guillaume Dufay
Franco-Flemish Renaissance composer

Guillaume Dufay

Intro
Franco-Flemish Renaissance composer
Du Fay (left), with Gilles Binchois in a c. 1440 Illuminated manuscript copy of Martin le Franc's Le champion des dames

Guillaume Du Fay (/djuːˈfaɪ/ dew-FY, French: [dy fa(j)i]; also Dufay, Du Fayt; 5 August 1397(?) – 27 November 1474) was a French composer and music theorist of the early Renaissance. Regarded as the leading European composer by his contemporaries, his music was widely performed and copied. Du Fay held various music positions during his lifetime, and was associated with the Burgundian School as well as among the first composers of, or at least a predecessor to, the Franco-Flemish School.

His most famous and celebrated work, the complex motet Nuper Rosarum Flores, was written for the consecration of Filippo Brunelleschi's dome on the Florence Cathedral and is considered an icon of Western culture. Du Fay left behind an extensive oeuvre, including pieces representative of virtually every genre of polyphonic music from his time. His music effectively synthesized a wide variety of styles: that of the famous Missa Caput, the Contenance angloise of his older contemporary John Dunstaple, and the techniques of his younger contemporaries Johannes Ockeghem and Antoine Busnois.


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