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Phil Ramone
Phil Ramone
American recording engineer, record producer and violinist
1
James Guthrie
James Guthrie
English record producer
2
Kerry Livgren
Kerry Livgren
American musician
3
Ozric Tentacles
Ozric Tentacles
English instrumental rock band
4
Bob Ludwig
Bob Ludwig
American audio engineer
5
Big Bill Broonzy
Big Bill Broonzy
American blues singer, songwriter and guitarist
6
Gene Paul
Gene Paul
Recording engineer
7
The Jayhawks
The Jayhawks
American country and rock band
8
Earl Bostic
Earl Bostic
American musician
9
Milt Gabler
Milt Gabler
record producer from the United States
10
Herb Alpert
Herb Alpert
American musician
11
King Curtis
King Curtis
American saxophonist (1934-1971)
12
Arthur Lyman
Arthur Lyman
American jazz vibraphone and marimba player group popularized a faux-Polynesian musical style that became known as exotica
13
Orrin Keepnews
Orrin Keepnews
American record producer
14
Chris Clark
Chris Clark
American musician
15
Ben Webster
Ben Webster
American saxophonist
16
Raymond Scott
Raymond Scott
American composer, bandleader, pianist, record producer and inventor (1908-1994)
17
Billie Holiday
Billie Holiday
American jazz singer
John R. T. Davies
American audio engineer and musician

John R. T. Davies

Intro
American audio engineer and musician
Genres
Music

John R. T. Davies (born John Ross Twiston Davies; 20 March 1927 – 25 May 2004) was an audio engineer specialised in restoring classic jazz records. He was also a working musician and a member of The Temperance Seven.

Davies was born in Wivelsfield, Sussex, the son of a dermatologist. He was also a trombonist, trumpeter and alto saxophonist. In the early 1950s he was a member of the Crane River Jazz Band led by Ken Colyer which spearheaded interest in the original New Orleans jazz style. Later he achieved chart success with the 1960s jazz revival band The Temperance Seven. The group's recording of "You're Driving Me Crazy" reached the top of the charts in 1961. One of his eccentricities, captured in old photographs, was to wear a fez.

For many he was considered "the world's leading specialist in the art of sound restoration", specifically in regard to jazz and blues existing on pre-magnetic tape media such as shellac 78s. He was particularly interested in recordings from 1917 to 1940.

Davies developed many methods for restoring old recordings and disliked modern techniques for removing surface noise. While he appreciated attempts to 'clean up' recordings and to create new versions of old recordings for modern audiences (e.g. the stereophonic remastered recordings by Robert Parker), in general he said he preferred remasterings which "keep everything and do as little as possible" to the original recording, and thought the remastering engineer should "Add nothing, take nothing away". The presence of his name on the credit of a reissue is generally considered the mark of a quality product.

He started his own record label called "Ristic" (after his childhood nickname) in the late 1940s which produced reissued recordings from 1949 to 1972.

Davies was always generous with his time and his collection and wanted it to be available for other people to use for research and reissues after his death. The Borthwick Archive at York University have accepted the entire collection and are housing it in ideal conditions, and making a transfer suite available so that his wish can be carried out. Information about the collection collated from the collection catalogue is also now available online from the University of York Digital Library and a small selection of the tracks have been made available to listen online