0
Wakin Chau
Wakin Chau
Taiwanese singer-songwriter and actor
1
Gary Chaw
Gary Chaw
Malaysian singer-songwriter
2
René Liu
René Liu
Taiwanese singer and actress
3
Leo Ku
Leo Ku
Hong Kong pop singer
4
Priscilla Chan
Priscilla Chan
Hong Kong female singer
5
Anthony Wong
Anthony Wong
singer-songwriter from Hong Kong
6
George Lam
George Lam
Hong Kong singer-songwriter
7
Chyi Chin
Chyi Chin
Taiwanese singer and songwriter
8
Anita Mui
Anita Mui
Hong Kong singer and actress
9
Chang Chen-yue
Chang Chen-yue
Taiwanese musician and actor
10
Mimi Lo
Mimi Lo
Hong Kong actor, singer and DJ
11
Dave Wong
Dave Wong
Taiwanese singer
12
L.A. Boyz
L.A. Boyz
Taiwanese hip hop group
13
Ivana Wong
Ivana Wong
Hong Kong singer
14
Show Luo
Show Luo
Taiwanese singer, actor and dancer
15
Winnie Hsin
Winnie Hsin
Taiwanese singer
16
Wanfang
Wanfang
Taiwanese actress and singer
17
Michael Wong
Michael Wong
Malaysian Chinese singer
18
Jacky Cheung
Jacky Cheung
Hong Kong actor and singer
Intro
Taiwanese singer
Music

Lo Ta-yu (simplified Chinese: 罗大佑; traditional Chinese: 羅大佑; pinyin: Luó Dàyòu; born 20 July 1954), also known as Luo Dayou and Law Tai-yau, is a Taiwanese singer and songwriter. During the 1980s, Lo became one of the most influential Mandopop singer-songwriters with his melodic lyrics and love songs, and his witty social and political commentary that he infused in his more political songs, often to the point that some of his songs were suppressed in Taiwan and Mainland China during the 1980s. He is recognized as a cultural icon in Taiwan, Hong Kong, and Mainland China.

Stylistically, Lo defies classification, though his contribution to the Taiwan campus folk song genre was most significant. His early music in particular shows strong folk roots, and many of his songs tap into native Taiwanese cultural influences. Some songs are reminiscent of 1950s American diner and soda shop rock, and others exhibit a 1970s lounge lizard growl. What captured the hearts of a generation, however, were his lyrics, touching on issues of life, attitudes, social responsibility, and the political problems of both Chinese Mainland and Taiwan with an underhandedly critical strain of dark humor. The lyrical style is not particularly artsy or complex, but rather conversational; the cleverness comes in the meaning, not how the words are put together.