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Carl Stamitz
Carl Stamitz
German composer of partial Czech ancestry
1
Franz Xaver Richter
Franz Xaver Richter
Austro-Moravian singer, violinist, composer, conductor and music theoretician
2
Carlos Chávez
Carlos Chávez
Mexican composer, conductor, music theorist, educator, journalist, and founder of the Mexican Symphonic Orchestra (1899-1978)
3
Lera Auerbach
Lera Auerbach
Soviet-Russian-born American classical composer and pianist
4
Louis Spohr
Louis Spohr
German composer, violinist and conductor
5
George Enescu
George Enescu
Romanian composer
6
Lillian Fuchs
Lillian Fuchs
American musician
7
Anton Fils
Anton Fils
German composer
8
Alan Shulman
Alan Shulman
American composer and cellist
9
Osvaldas Balakauskas
Osvaldas Balakauskas
Lithuanian composer and diplomat
10
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
Austrian composer of the Classical period
11
Isaac Stern
Isaac Stern
American musician
12
Igor Markevitch
Igor Markevitch
Ukrainian conductor and composer
13
Josef Suk
Josef Suk
Czech violinist, violist, chamber musician and conductor (1929-2011)
14
Ellen Taaffe Zwilich
Ellen Taaffe Zwilich
American composer
15
Alfred Schnittke
Alfred Schnittke
German Soviet composer
16
Malcolm Williamson
Malcolm Williamson
Australian composer
17
Hans Schmidt-Isserstedt
Hans Schmidt-Isserstedt
German composer
Christian Cannabich
German violinist, composer, and Kapellmeister

Christian Cannabich

Intro
German violinist, composer, and Kapellmeister
Genres
Music
Member of, past and present
Illuminati

Illuminati

Christian Cannabich - copper engraving by Egid Verhelst 1779

Johann Christian Innocenz Bonaventura Cannabich (bapt. 28 December 1731 in Mannheim – 20 January 1798 in Frankfurt am Main), was a German violinist, composer, and Kapellmeister of the Classical era. A composer of some 200 works, he continued the legacy of Johann Stamitz and helped turn the Mannheim orchestra into what Charles Burney described as "the most complete and best disciplined in Europe.". The orchestra was particularly noted for the carefully graduated crescendos and diminuendos characteristic of the Mannheim school. Together with Stamitz and the other composers of the Mannheim court, he helped develop the orchestral texture that paved the way for the orchestral treatment of the First Viennese School.