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Arnold Schoenberg
Arnold Schoenberg
Austrian-American composer (1874-1951)
1
Alexander Goehr
Alexander Goehr
English composer
2
Robert Gerhard
Robert Gerhard
Catalan composer and musical scholar and writer
3
Alban Berg
Alban Berg
Austrian composer
4
Luigi Nono
Luigi Nono
Italian composer
5
Anton Webern
Anton Webern
Austrian composer and conductor
6
Leonard Stein
Leonard Stein
American conductor and musicologist
7
Paul Hindemith
Paul Hindemith
German-born American composer (1895–1963)
8
Alexander von Zemlinsky
Alexander von Zemlinsky
Austrian composer, conductor, and teacher
9
Ferruccio Busoni
Ferruccio Busoni
Italian composer, pianist, conductor, editor, writer, and piano teacher
10
John Cage
John Cage
American avant-garde composer (1912-1992)
11
Nikos Skalkottas
Nikos Skalkottas
greek composer and musician
12
Morton Feldman
Morton Feldman
American avant-garde composer
13
Karlheinz Stockhausen
Karlheinz Stockhausen
German composer
14
Allan Gray
Allan Gray
Tarnów, Austria-Hungary
15
Pierre Boulez
Pierre Boulez
French composer, conductor, writer and pianist
16
Aaron Copland
Aaron Copland
American composer, composition teacher, writer, and conductor
Intro
Austrian musicologist
Music
Member of, past and present
second Viennese School

second Viennese School

Josef Rufer (1893–1985) was an Austrian-born musicologist. He is regarded as a significant figure mainly on account of his association with and writings on Arnold Schoenberg.

Rufer was a pupil of Alexander von Zemlinsky and Schoenberg in Vienna; when the latter composer moved to Berlin to direct the Masterclass in Composition at the Prussian Academy of Arts, Rufer went with him and operated as his Chief Assistant between 1925 and 1933.

Rufer was thus closely involved with Schoenberg during the period of development of serialism and the 12-note method, and it was during a walk with Rufer that Schoenberg uttered the famous statement, regarding these: "I have made a discovery which will ensure the supremacy of German music for the next hundred years".

Rufer's writings on Schoenberg include the introduction to the serial method Die Komposition mit Zwölf Tönen (Berlin, 1952; translated as Composition With Twelve Notes, London, 1954; reprinted 1969, ISBN 978-0-313-21236-9), and the catalogue Das Werk Arnold Schönberg's (Kassel, 1959; translated as The Works of Arnold Schoenberg, London, 1962). Both were seminal in the study of the composer and his music.